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Short-term
seminars at the Newberry in winter/spring 2008
Wagner
and Wagnerism: An Examination of His Many Worlds and Influences
James Martin, Music,
Cornell College
Term 9: May 5 - May 28, 2008
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It
has been widely stated that only two people in the history of the
world have had more books written about them than Wagner: Christ
and Napoleon. True or not, the amount of Wagnerian related scholarship
is immense. There has been a steady stream of controversy about
him, his musikdramas, and his prose writings. It is difficult to
imagine a figure who has connections to more areas of study that
Wagner. Thus “Wagner and Wagnerism” is an ideal topic within the
humanities for students with a wide number of disciplinary and subject
interests. Wagner is both a starting place for investigations into
many related areas, and a central organizing “principle” for a diverse
set of intellectual pursuits.
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Students
with a variety of disciplinary interests should find this course
closely related to work they might wish to do, including music,
theatre, art, German, English literature, French literature, mythology
and classics, history, politics, philosophy, religion, and psychology.
Additionally,
Wagner studies involve feminist scholarship, gender studies, anti-Semitism,
biography and autobiography, and American studies.
Participants
will share common readings and study Wagner’s opera(s) through videotapes,
recordings, and readings. Students will complete a couple of smaller
research assignments as well as a final paper project of some length.
Students’ individual research projects will generate discussion
along with group meetings and common readings. Students are not
expected to have any music reading ability.
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